1. The Japanese entertainment press is/was FAR more sophisticated than anything we have in the states. 2. Miyazaki is all about the details. There is no aspect of his films where there isn't a compelling 'why'. 3. I wish I understood Japanese so that I could experience these films in his own voice.
The books are Turning Point and Starting Point. Honorable mention is Sharing a House with the Never Ending Man, which was written by the only American who worked at Ghibli for a stretch. That one is less about creativity and more about the movie industry/how hard it is to translate Japanese into English
He's awfully hard on himself. Castle of Cagliostro is, by all accounts, a fantastic movie that rises well above its source material. And it has an immortal legacy as an influence on several major Western animation studios.
Also every time I see Miyazaki concept sketches, I’m blown away by how beautiful his watercolors are.
> he got into alt comics in the orbit of Métal Hurlant, a foreign magazine
This is just a strange phrasing, why not just say it was French? Especially considering the next sentence being
> Meanwhile, an American comic from (...)
Seems to be a case of American-centered view "me vs the rest of the world". Or if it is depicted from Miyazaki point of view, it should be clarified.