It is not clear from the text that Samson is aware of the presence of Philistines the first three times. We are told they are lying in ambush in an inner chamber. We are not told that they make themselves known, attempt to subdue Samson, or interact with him in any way. Instead, we are told that Delilah announces their imminent presence, with no follow-through. (And why, after all, would they dare come in until Delilah has established that he is weak and harmless, given his reputation for strength and bloodthirst?)
I don't believe Samson understands Delilah is betraying him. Not until the end when he's told her the real secret. Until that point, he may only receive her behavior as, at worst, a taunt and, at best, an attempt to pursue a kind of relational intimacy in which he makes himself vulnerable to her. And indeed, that's exactly where the story goes. He eventually makes himself vulnerable to her, both emotionally and physically.
A shallow reading that concludes the characters must be dumb and naive to explain the ridiculousness of the plot is rarely the most appropriate reading. Frequently, the characters and nuances run much deeper, and a more careful and thoughtful reading is required. Ancient literature is stylistically terse compared to modern literature. Space on the manuscript is precious and not given over to things that the reader is meant to infer by reflection. And whenever a phrase or pattern is repeated, that means it is very, very significant. In this case, Samson's interaction with Delilah is not a one-off inexplicable behavior. It is one episode in a series of episodes, both preceding and following, where consistent patterns of behavior develop and escalate (e.g., his vengefulness, his vulnerability to women).
A very off-tangent note, but I recently learned that Samson's last words, "ἀποθανέτω ἡ ψυχή μου μετὰ τῶν ἀλλοφύλων"/"moriatur anima mea cum Philisthiim", pretty much have never been translated into English literally; it's always "Let me die with the Philistines" for some reason.
It's also worth noting that some books of the Hebrew Bible are poetry (Psalms, Job, Proverbs, Song of Songs), which doesn't show at all after translation. Hebrew poetry is unique!
As they say, reading the Bible in translation is like "kissing your spouse through a veil".
If you want the latest edition of the "real" Roget's, it's the one published by Longman.
I keep a computer graphics book that I'm reading over and over again, just one chapter that is concerned with physically-based rendering. By now the theory is getting so ingrained I could write a path tracer in my sleep! But then again, I don't want to.
It's about how war is perpetrated by the old against the young. I've carried it next to my heart since I was fourteen.
Also, it's quite short and will definitely fit in the space.
A bit more about it: https://mathstodon.xyz/@mjd/116411220100252049
Actually, Redwall and other slightly-mature anthropomorphic stories are also surprisingly good for that.
But if I had to pick a time of year, then I'd say winter, under the blankets or by a fire.
I'm sorry, what? Why is Moses depicted with glowing horns?
But apparently it is a thing: https://en.wikipedia.org/wiki/Horns_of_Moses
> The Horns of Moses are an iconographic convention common in Latin Christianity whereby Moses was presented as having two horns on his head, later replaced by rays of light.[1] The idea comes from a translation, or mistranslation, of a Hebrew term in Jerome's Latin Vulgate Bible, and many later vernacular translations dependent on that. Moses is said to be "horned", or radiant, or glorified, after he sees God who presents him with the tablets of the law in the Book of Exodus.