[1] https://content.time.com/time/specials/packages/article/0,28...
2: some of the (albeit mislead) answers basically say "it's nice but it's not something a person willingly outlined and drew" and they are not wrong
3: some answers complain on the lack of depth and detail, color blurbs, and we have to agree the tested version is of very low resolution
so in the end we are left with: "some people who were told it was AI knee-jerked negatively" and i can't even start to see what's surprising about it
It’s not a physical painting made by a well known artist.
It’s trying to hard to be a late Monet.
How much of our opinions are driven by context, rather than the actual subject? If Monet’s work is not so great without the context, is it still great? Or is context a critical piece of the art itself? Do we need to view a Monet piece within the scope of other Monet pieces, other artists, time periods, blindness, etc?
I’d say for art, a lot? There’s a ton of art that a halfway decent painter could do now, the art of it was being the one to do it originally. At least that’s how I, as an absolute philistine in that regard, understand it ;)
At least, for now.
I think this HN commenter is also being fooled by the AI. It's likely that a lot of comments on HN are bots, so here you got an AI to comment about AI criticizing AI.
https://i.kym-cdn.com/photos/images/newsfeed/003/240/678/2b9...
It’s like the sommeliers who can’t detect red vs. white wine when blindfolded.
As for your red vs. white wine comparison, it'd only make sense if one of those was doing its best to pretend to be the other one.
If I hand you a lump of gold and tell you it's actually a piece of shit painted in gold, I'm sure you'll find reasons to hate it.
"No thanks, I don't like shit" is fine.
"Oh yeah, I can definitely tell it's shit!" is not.
I think Monet just wasn't as good as his renown purports.
EDIT: I doubt this experiment would go similarly for a Caravaggio or a Michelangelo.
To try to discuss more productively: I already thought Monet was overrated, and this was a long-held and considered opinion, not just a knee-jerk reaction to this post.
The post seemed to serve as a pepsi-challenge that confirmed what I already thought, but you're right that it's all cherrypicked anyway. That's the part I didn't consider so carefully.
I notice that were doing this underneath these words:
> Hopefully it helps people to at least be more conscious of their bias.
Oh, well. Is this how it feels when it's working?
No one has ever claimed AI cannot imitate a Monet, but however good the imitation, it still isn't art any more than a Xerox of a painting is art. This is the exact reason why most people feel bad after discovering that what they felt was work of human ingenuity, is just a fake, a simulacrum of it. The creation of art, arguably the most human of instincts, cannot be separated from the emotions and effort that went into it.
All this proves is that most people cannot tell if that picture is a Monet or not.
It proves that people don't actually know what they like about "art" or even why they think some art is good, and some is bad.
These people criticized and trashed a widely regarded, famous painting because they were told that it was a cheap imitation.
If the AI generated a real imitation and the Met hung it on their walls I guarantee these same people would celebrate it just the same because they are told that it is real.
That's because those are famously difficult questions to answer.
It goes beyond that. It proves that many people have an inherent bias against AI itself that's unrelated to whatever it generates. "This was made by AI, therefore it's bad in every way".
That's precisely the difference between art and a commodity.
As a digital artist, of course I rolled my eyes at the time, but these days I just keep thinking about that storyline more and more.
We've basically transitioned to a world where digital art is almost the default, but I think the world is going to value physical art much more highly in the coming years.
dang it would to use the flags as a way to prune recent HN users.
That’s just the art scene already ridiculed in the movie Interstate 60 with James Marsden and Gary Oldman and from 2002
> AI can't create anything original.
Can we? I mean, don't we base our output on experience and reprocess references + memories of things past to create what we deem as "new"?
Not that I think it should have. Kill it with fire and EMPs.
Under many definitions, where novel composition of existing knowledge or techniques is counted, it certainly can.
Original is something that is out of the data distribution. AI can't do anything original, because it's job is to imitate the data distribution.
Originality in itself is not hard, because pure noise is original. It should be original and beautiful.