https://www.theguardian.com/world/2008/jun/19/usa.guantanamo
Additionally, looking at Google Trends[0], it seems they peaked in 21st-century online popularity in 2008 and had another notable uptick in 2017.
I think a lot of us want the assholes to have suffered real consequences for their behavior, but want is different from did.
[0] https://trends.google.com/trends/explore?date=all&geo=US&q=%...
Here is how their enforcement actions generally went.
1. They would initially send a letter asking for around $3 per song that was being shared, threatening to sue if not paid. This typically came to a total in the $2-3k range. There were a few where the initial request was for much more such as when the person was accused of an unusually high volume of intentional distribution. But for the vast majority of people who were running file sharing apps in order to get more music for themselves rather than because they wanted to distribute music it averaged in that $2-3k range.
2. If they could not come to an agreement and actually filed a lawsuit they would pick maybe 10-25 songs out of the list of songs the person was sharing (typically around a thousand) to actually sue over. The range of possible damages in such a suit is $750-30000 per work infringed, with the court (judge and jury) picking the amount [1].
NOTE: it is per "work infringed", not per infringement. The number of infringements will be one of the factors the court will consider when deciding where in that $750-30000 range to go.
3. There would be more settlement offers before the lawsuit actually went to trial. These would almost always be in the $200-300 per song range, which since the lawsuit was only over maybe a dozen or two of the thousand+ songs the person had been sharing usually came out to the same ballpark as the settlement offers before the suit was filed.
Almost everyone settled at that point, because they realized that (1) they had no realistic chance of winning, (2) they had no realistic chance of proving they were were an "innocent infringer", (3) minimal statutory damages then of $750/song x 10-15 songs was more than the settlement offer, and (4) on top of that they would have not only their attorney fees but in copyright suits the loser often has to pay the winner's attorney fees.
4. Less than a dozen cases actually reached trial, and most of those settled during the trial for the same reasons in the above paragraph that most people settled before trial. Those were in the $3-15k range with most being around $5k.
[1] If the defendant can prove they are in "innocent infringer", meaning they didn't know they were infringing and had no reason to know that, then the low end is lowered to $200. If the plaintiff can prove that the infringement was "willful", meaning the defendant knew it was infringement and deliberately did it, the high end is raised to $150k.
They were not all the same, some were fairly complicated cases, and one was undoubtedly for distribution.
`The court’s instructions defined “reproduction” to include “[t]he act of downloading copyrighted sound recordings on a peer-to-peer network.”'
From:
https://cases.justia.com/federal/appellate-courts/ca8/11-282...
If you're just some nobody representing yourself instead of an expensive lawyer acting on behalf of a large company, maybe the judge will even try to be extra nice when he explains why the argument doesn't hold water.
Property law is mostly concerned with protecting the rich from the poor, so when a rich person violates the property of a poor person, the courts can't allow the inversion of purpose and will create something called a "legal fiction," which is basically the kind of bending-over-backwards that my children do to try to claim that they didn't break the rules, actually, and if you look at it in a certain way they were actually following the rules, actually.
Many judges take a dim view of expensive lawyers trying to pull the wool over their eyes with sophisticated but fallacious arguments. You have to deal with a lot of BS to be a long-standing judge, so it seems like resistance to BS may be selected for among judges.
Linear arithmetic is one hell of a drug.
It's funny, because now in the age of AI, many of the people that support piracy are now trying to stop AI companies from doing the same thing.
> I should trot out all of the justifications here.
I'll start: personal use instead of profit. Certainly a difference, not convinced justification is required or even advisable.
So.. I don't think it's appropriate for billion dollar companies to abuse copyrighted authored material for their own profit streams. They have the money. They can either pay or not use the material.
^ sociopathic legalists really do think this way.
By no means were they suing for downloading alone. They were suing for sharing while downloading, and seeding after, and as "early seeders" they helped thousands obtain copies.
Right or wrong, it was absolutely not about just downloading. It wasn't about taking one copy.
In their eyes, it was about copyng then handing out tens of thousands of copies for free.
Again, not saying it was right. However, please don't provide an abridged account, slanted to create a conclusion in the reader.
What an argument to make in court. It can be proved false in minutes by the plaintiffs.
Seeding is opt-out, not opt-in… but it is usually a default that has to actively manually overridden. Most users never touch those settings. The average pirate downloading a torrent is seeding whether they know it or not.
The protocol absolutely does not enforce seeding. A client can lie to the tracker, cap upload to 0k. BitTorrent has no mechanism to compel one to share. Leeching a file, downloading and sharing no forward packets is possible. While the "social contract" of seeding is entirely a norm enforced by private trackers and community shame. It is not the protocol itself.
you're uploading before seeding, and i'm willing to bet Meta weren't seeding but, as they correctly stated in that regard, they're sharing even when they try their best not to because of the way the protocol works as zero-upload is typically impractical for any significant size files
some trackers will additionally penalise you for not sharing file parts, but this depends on the tracker
The original design called for some kind of tit-for-tat algorithm, but it's long obsolete and you get whatever bandwidth the seeder has.
Most people that speak of leeching or not seeding really are talking about not seeding at all after they've completed. In fact, most clients will let you set upload speeds to a trickle but not zero (zero means unlimited in most clients). From a legal standpoint, that already means you uploaded.
I’m not aware of any clients that will refuse to share data with clients that are configured to not upload. I don’t even see how they could determine that, especially in situations where there are no other peers to upload to, and given that stats are entirely self-reported and clients that send bogus numbers exist.
You would need a central tracker that cares, which is what private torrent communities rely on, but not public/DHT torrents such as those discussed here.
The case for doing this would be just so you can have this ridiculous legal defence Meta seem to be trying to pull out. Really no other good reason. Even for the most parasitic leeches, zero upload is a bad strategy.
You totally CAN disable all uploads in the torrent protocol. Just set the "upload budget" to zero in most clients. Just nobody realizes they can do that.
Bittorrent is wildly successful in part because every popular client makes it nontrivial to "opt out" of it's more socialist components (chunk trading, DHT participation, seeding by default).
Making an "leech behavior only" torrent client is straightforward and viable.
No, because those cases were pirating-while-poor. This is pirating-while-trillion-dollar-corporation, which falls under a completely different section of the law.
It is interesting to follow how this plays out for Meta and how that will impact future cases.
If it's fair use, no licensing fee is needed.
In the UK you can only claim for the actual damages incurred, which at most will be the profit you would've made on the sale of that book. Which makes most claims for private infringement uneconomical for corporations.
Few tens of thousands of dollars is a rounding error in Meta's bottom line but if this case goes anything like the Anthropic one, I would see it likely.
Of course it wouldn't prevent authors from asking LLM's for content from their books and suing Meta again but I imagine authors would be less likely to with less evidence.
Different activists are different. "Information wants to be free" activists are against different things from "artists trying to make an honest living" activists.
And different big guys are different. A big guy AI company wants different things from a big guy book publisher.
The activists are against it because the big guys are exploiting us small guys, again. Nobody would give a shit if Meta was just torrenting Nintendo's IP and OpenAI was torrenting Netflix IP, except the lawyers working for these companies.
By the same token, AI companies are in no position to complain when their models are scraped and distilled.
Still, they should pay me in order to listen all the mediocre music and crappy 'best sellers' they often produce. More than often I'd just buy some indie book from a small publisher which has much better stories than the whole mainstream.
Heck; every time I try to read some Spaniard technotriller it justs sucks because they focus on crappy emotions everytime focusing near nil on scientific facts or tecnological backgrounds. If any, of course. Hello, Gómez Jurado with the Red Queen sagas.
Meanwhile, people writting half-fantasy/half-geopolitics fiction such as Fabián Plaza with its book depicting a paranormal Cold War were the Spanish Francoist regime never ended and the USSR took the whole Germany for itself, you will get more enganing books. The hippies in Woodstock summoned magical Lovecraftian monsters and the CIA/KGB among paranormal agencies try to fight these. The even mention Orgonic fields and tons of American floklore on paranormal experiments from the CIA/USSR. We all know it's actual bullshit but it's documented bullshit. Modulo the magic, the author applied as a diplomat for Spain a few decades ago so he knows how to create a thriller by predicting how the characters will behave psichologically much better than the Gómez Jurado's books creating an Aspie Mary Sue character getting aspull skills.
The mainstream alternative? Some Humanities woman as the maincharacter alleging bullshit 'prime number finding' in order to boost IQ as a goverment experiment against another high IQ psychopath.
The media in Spain sucks because Spain arrived late to a scientifical mindset socially -thanks, Francoist /s- and male/female Humanities people dominate both the press and the literary world. Instead of Gideon Crew like books (which are a bit bullshit, but with a bit of realism too) like sagas, we get drama bound thrillers with no actual research; if any, hidden Apple product placements.
You would say, heck, Dan Brown it's the same and Tom Clancy's novels are a joke against the ones from actually versed people throwing stereotypes away because they did a good research (the US is not just a bigger Texas and Spain is not a big Andalusia), but that's not the issue here.
The matter it's that most of the readers in Spain are women, and somehow they are afraid of reading a thriller with less drama and emotions and more action (action women do exist you know) and resolution and developing actual skills o the spot instead of aspulling them.
Just look at text adventures. Anchorhead it's just a modern Lovecraft retelling but it has a female protagonist and you as the player should drive her solving all the ingame puzzles. If something like that existed in 1998, the Spaniard should be able to write tons of interesting media (books and series) where crimes were not solved with people just happening to be in the right spot at some specific time. That's a cheap writting and an obvious neglection to the reader allowing him to join the proofs together.
The significant change is that 2025 corpo pirates are big corporations, and 2005 personal pirates are individuals. And I think the larger issue is that the big corpo pirates get away with what 2025 personal pirates wouldn’t.
Anyways, my opinion is that we should get rid of IP, but only with a replacement that ensures creators still get paid. I lean towards piracy being a small sin: immoral, but you can easily be a pirate and still overall moral person.
[citation needed]
> 2005 pirates allegedly harmed artists by decreasing their sales.
provably false
https://www.nytimes.com/2015/05/05/sports/periscope-a-stream...
Oh no, its just legal for the big companies. The laws are different for everybody and that's what activists are worried about :)
The way Disney &co coopted law to pack their coffers is a travesty: https://en.wikipedia.org/wiki/Copyright_Term_Extension_Act
My best idea for a solution is better education, so people don’t make bad laws then badly enforce them.
Only data is a moat, not algos, not compute.
On the other hand, it'd be absolutely hilarious if they succeeded with this argument. VPN vendors would not find that as hilarious I bet.
And on another the hypocrisy is mindboggling. I guess you can't blame the lawyers from going after every angle, but this is quite creative.
But really I do just want to find out if money continues to buy justice.
I sincerely hope Facebook loses and is found to have knowingly infringed on copyright of all the books in the lawsuit. At $150K per violation, I'd almost feel bad for the poor shareholders. Zuck would probably take full responsibility and fire tens of thousand of workers.
Seriously? They couldn't be bothered setting upload speed to 0?
how much you have to bribe a judge to even begin to consider saying that in a defense?
"Anthropic agrees to pay $1.5B US to settle author class action over AI training"
https://www.cbc.ca/news/business/anthropic-ai-copyright-sett...
Why would you sort of doxx yourself and how is it relevant to the thread?
Are you a bot?