The Oblique Strategies comparison is exactly the vibe I was going for—generative constraints that open up possibilities rather than closing them down. Node editing is the top priority right now. You're right that the loop isn't complete without it.

Not yet, but both are on the roadmap. Manual node editing is the next priority—letting you tweak branches or add your own directions.

The script evaluation idea is interesting—you're not the first to suggest it. The extraction pipeline already identifies structural elements like scene mirroring and character arc inversions, so exposing that as an analysis tool isn't a huge leap. Definitely something I want to explore.

Thanks for flagging that—the node overlap issue is a known bug when the graph gets dense. I'm working on better auto-layout. Appreciate the report.

Interesting use case. I don't have a public API yet, but it's something I'd consider if there's demand. What kind of integration are you imagining—feeding prompts in and getting branches back, or something else?

Good point—you're right, there should be a way to mark a branch as an endpoint instead of forcing more branches. Adding that to the list. Thanks.

Thanks! Here's the full list: 2001: A Space Odyssey, 8½, Aguirre the Wrath of God, Ali: Fear Eats the Soul, All That Heaven Allows, Apocalypse Now, Ashes and Diamonds, A Woman Under the Influence, Barry Lyndon, Bicycle Thieves, Breathless, Casablanca, Céline and Julie Go Boating, Chinatown, Chinese Roulette, Citizen Kane, City Lights, City of Pirates, Contempt, Daisies, Damnation, Dishonored, Earth, Electra My Love, El Topo, Eraserhead, Eyes Wide Shut, Film Socialisme, Fitzcarraldo, Fuego en Castilla, Hiroshima Mon Amour, Holy Motors, Inauguration of the Pleasure Dome, In a Year with 13 Moons, India Song, Inland Empire, Irma Vep, Koyaanisqatsi, La Dolce Vita, La Jetée, Late Spring, L'Eau de la Seine, Le Voyage dans la Lune, Lolita, Los Olvidados, Lost Highway, Lucifer Rising, Man with a Movie Camera, Metropolis, Mirror, Mulholland Drive, Night Music, Ordet, Orpheus, Persona, Pickpocket, Playtime, Psycho, Rebecca, Rosemary's Baby, Rumble Fish, Scarface, Seven Samurai, Sherlock Jr., Singin' in the Rain, Stalker, Sunset Boulevard, Taste of Cherry, Taxi Driver, Testament of Orpheus, The 400 Blows, The Blood of a Poet, The Cabinet of Dr. Caligari, The Color of Pomegranates, The Green Ray, The Holy Mountain, The Isle, The Lady from Shanghai, The Night of the Hunter, The Passion of Joan of Arc, The Seventh Seal, The Spirit of the Beehive, The Tales of Hoffmann, The Tree of Life, The Turin Horse, Time of the Gypsies, Tokyo Story, Touch of Evil, Trans-Europ-Express, Ugetsu, Un Chien Andalou, Uncle Boonmee Who Can Recall His Past Lives, Vampyr, Videodrome, Wavelength, Werckmeister Harmonies, Wild Strawberries, Moonlight Sonata, Stellar, The Haunted House Biased toward European art cinema, experimental work, and directors who broke conventional narrative rules.

That's wild. Hard to say for sure—could be that your scenario's structure pattern-matched something in Qwen's training data, or it picked up on implicit episodic cues in your writing. The base model has seen a lot of serialized content. What was the original scenario about?

There's a demo on the landing page that walks through it. Basically you input any idea—no matter how vague—and the system generates branching directions you could take it. You explore the branches, and when you're satisfied you can export and the system generates a technical screenplay based on your choices. There's no "right" first prompt—I've thrown some of my dumbest ideas at it just to see where the system takes me. That's kind of the point. Regarding adding your own branches—yes, that's on my roadmap. Letting users create their own options and shape the graph more directly. Still a work in progress!