Hütter is within his rights to tinker with Kraftwerk’s canon as he wishes, but a botched Kraftwerk remaster series is a bitter disappointment nevertheless. It’s not such an issue, thankfully, with the remaining three LPS: the lean, industrial Techno Pop (a re-titled Electric Café with added track “House Phone”); The Mix (1991), a surprisingly addictive re-imagining of 11 classic tracks in a dancefloor context; and Tour De France (2003), a cycling fetishist’s techno headphone soundtrack with a gorgeous five-note motif. For those who’ll never sport the yellow jersey, have no fear. It also works its magic if you’re on an exercise bike.“