Voice cryptosystems of the pre-WWII period included the Western Electric A-3 scrambler [1] There's one on eBay! [2] That split audio into a number of frequency bands, which were shifted and reassembled. At the receiving end, the process was reversed. The shift pattern changed periodically, on the order of tens of seconds. That was slow enough that keeping the thing in sync was possible with clockwork of the period. Note that this is working on the audio, not the RF; it's a scrambler, not a frequency hopper. This is what AT&T used for transatlantic commercial voice. Worked OK, mediocre security. Only 6 different frequency shift patterns were in use at a time. The Germans cracked it.
This is not the better known SIGSALY. That's a similar concept, but with a lot more audio channels, much more frequent changes, a one-time key for the changes, and more hardware than some mainframe computers. The A-3 was a desk-side wooden box. Neither system does frequency-hopping of the RF signal.
Hedy Lamarr's first husband was an arms manufacturer, and she apparently paid attention when visiting the factories. Hence the radio-controlled torpedo, which is close to Tesla's radio-controlled boat.
MARKEY (2,292,387) describes a cross between a radio-controlled boat and a set of synchronized player pianos. There's some handwaving around the sync problem. The trouble with syncing a frequency hopper is that you have trouble even finding the signal to get started. But if you're launching a torpedo or a bomb from a larger craft, both ends of the connection can be started in sync and will probably stay in sync long enough for the bombing run. Doing this with a player piano roll reader, vacuum pump and all, is probably not the right approach.
Trying to get things to sync up reliably has a long history. Edison's first useful invention was a way to get stock tickers to sync. There's a long history of clunky mechanisms, early ones involving flywheels or big tuning forks, and later electronic ones with too many screwdriver adjustments. Not until the invention of phase locked loops did it really Just Work. (I'm into restoring early Teletype machines, and I'm way too aware of the early days of sync problems.)
Markey was just too early. Reasonable idea, but not practical at the time due to lack of supporting technology.
[1] https://chris-intel-corner.blogspot.com/2012/02/intercepted-...
It'd be much better to talk about Liskov, Goldberg, the women at Bluetooth SIG, or the countless other examples available.
I wouldn't lose sleep over hypothetical crestfallen child engineers. If they read a biography of Hedy Lamarr, they'll finish it more impressed, not less. She was an exceptional person.
It's hard to imagine a historical myth about personal computing more harmful than the myth that it was invented by a man who spent his life trying to take the power of personal computing away from the people!
It may appear to the reader that this recent advance in telegraph technique is a rather obvious one
[0] https://worldradiohistory.com/UK/Wireless-World/40s/Wireless...
Although Woz engineered both, without his partnership with Jobs, they wouldn't have been consumer products (which even the Apple I was, if barely!).
The reason I used 'Steve Jobs invented the personal computer' as a comparison, isn't that I think it is dead wrong, but that, to use your words, it's a drastic simplification.
"You'll be minimized too!" isn't exactly a great subtext to encourage interest in the field, compared to other positive examples like the people I've already mentioned.
No one is inspired (which is usually the point of the factoids) by "this person made marginal contributions to the field for 30 years and then retired".
‘Since the actual invention is a player-piano-like mechanism, and since experimental musician George Antheil had expertise in the inner workings of player pianos, and further since Hedy Lamarr evidently had no such expertise, it may be more appropriate to call the Lamarr-Antheil patent “Antheil’s patent.”’
are inappropriate and unjustified.
Moreover, Hedy Lamarr was the one who had the idea of using FHSS, not being aware about the unknown patents where the same idea had been proposed earlier.
The contribution of Antheil has been in the practical implementation of her idea, so it would be ridiculous to call it "Antheil's patent".
There are plenty of inventions like this, where one inventor has the idea on which the invention is based, without having enough practical experience in that domain to complete the invention, so a second inventor with appropriate experience is brought in, who may be the author of the bulk of the practical implementation, but who is not the author of the original idea.
In such cases, both are rightly called inventors, as none of them could have completed the invention without the other.
From the article: "A letter on 3 October 1941 from the Lyon and Lyon attorney to Lamarr and Antheil says '...we rather doubted at the time that method claim 7 would be considered patentable, since the invention appears to reside more in a new apparatus than in a new method.' Thus, the attorney representing the applicants agreed with the patent examiner that the evidence was against Lamarr-Antheil’s definitive method claim to FHSS, which was claim 7."
This analysis makes it pretty clear that EFF's 1997 assertion that she and Antheil "developed and [...] patented the concept of 'frequency-hopping' that is now the basis for the spread spectrum radio systems" is flatly untrue.
This isn't to say that she wasn't an inventor or innovator, or didn't put together existing known techniques in a new way to address a relevant and interesting problem.
Same here: if it's the Lamar's invention that makes frequency hopping practical, then she is still the (co-)inventor of most of modern radio communication.
The Maxim machine gun was the first to offer really practical machine gun experience: a fully automatic weapon which is about as portable as a heavy small firearm, not like a light artillery piece.
Later versions did become more portable, but the Maxim was always a crew-served weapon. The advent of the fully automatic small firearm was really the Kalashnikov 60 atrocity-filled years later.
It's true that the Gatling required an operator to turn the crank and was significantly slower than the Maxim gun.
As said before, the idea of coordinated frequency hopping was already known at the time.
Nevertheless, while there have been a handful of earlier patents where the inventors had the same idea of using FHSS, those patents have remained unknown among the vast amount of useless patents so it is pretty certain that Hedy Lamarr has rediscovered FHSS independently.
After WWII, the evolution of FHSS in military communications has started from the patent of Hedy Lamarr, while the prior work has remained as obscure as before.
Technically and conceptually these problems are not simple nor were well known or understood at the time Lamarr was working on them. It took from the mid 40's to the mid 60's for all the parts to come together.
A more convincing article would focus on purported prior art patents, and let the reader judge if really anticipated frequency hopping.
The HN hivemind on Jurgen Schmidhuber: he was only the first to think of the technique, not the first one to make it work.
Yes, I'm a big ol' meanie.
Maybe the author uncovered it as part of a separate research effort and decided to contribute to the record. Maybe he really does have it out for women. Point is we don't know, and it's rude to assume malice when there are many other possible motivations that aren't "despicable" in any way.
Gwynne shotwell Elon musk
This is probably more of a managerial thing than anything else — after all, most men's performance undergoes constant evaluation. Certainly in the workplace, and often in personal relationships as well. If they fail, they don't get as much to eat and are typically deserted
And such evaluations are biased against praise, except for a deified few. For example, successful musicians frequently mention that record labels make them feel like underachievers, even when they top the charts